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There's a war on Colfax. What side are you on?


There's a war going on in the streets of Denver and Michael Salamon is supplying both sides. The whole thing is, in fact, a conflict of his own creation. Small, opposing armies decked in red and blue, look to remake Colfax Avenue in their image.

Not bad - it's not every day, after all, that a t-shirt designer's work carries with it the echoes of arms deals and gang wars.

Salamon is the mind behind Attack Colfax and Defend Colfax, t-shirts on sale at the Fabric Lab, 3105 E. Colfax Ave., and online at attackcolfax.com and defendcolfax.com. He says that others are quick to bring their own meaning to the imagined conflict, seeing statements on gentrification, law and order and more.

The truth isn't nearly as sensational.

To hear him describe it, the message is an example of the "surf, sample, manipulate" ethic laid out by University of Colorado associate professor Mark Amerika. Or in laymen's terms, "I totally ripped this thing thing off."

"At some point in my travels I think I saw a Defend Something, and made some notations in a travel notebook," he said. "Later, a friend of mine called me and told me where I'd seen the original: it was a Defend Brooklyn T-shirt - and it looks exactly like the Colfax versions."

But then, the local analogue to the "Defend Brooklyn" gear, with its characteristic AR-15 silhouette to Brooklyn's AK-47, was never meant to make waves, but as a way to whip together an online billing system that could be used in other projects. "It's a reason for no reason," Salamon said.

The shirts can be bought at attackcolfax.com or defendcolfax.com for $28.

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Showing 1-6 of 6 comments

Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos. Jonathan Lethem wrote that. Or, rather, he admits to lifting it from Mary Shelley's introduction to "Frankenstein" for an essay that appeared in last month's Harper's titled "The Ecstasy of Influence." Lethem posits there, in a woven text of sampled ideas and stolen words, that all art comes from borrowed material. http://www.harpers.org/archive/2007/02/0081387 Fascinating riff on what constitutes plagiarism.

For a guy who can barely draw a proper stickman, I like to think I got a decent grasp on art.

Now that's some deep thinking, Zwick.

Well, Mark Amerika would say, (and I'd agree) that it's a response to the avant garde of a previous generation that tried to create conscious of but separate from the mediated popular culture. I think the decision to immerse oneself in it instead of trying to stand apart is not only the consequence of being born into a world knowing no other way, but also the inevitable result of the erosion of the whole false high/low art distinction.

I read an article in Wired a couple years ago about how the latest craze is remixing life. We take bits and pieces of popular culture and splice them together to make something new. I can't decide if it's a cool statement or an act of desperation.

Stealing ideas from various sources? This is what poets often do (and they are foolish if they don't borrow). Cool story.
Showing 1-6 of 6 comments